Vol 26 Nos. 3 & 4

A Complicated Pattern (ASW 26-3/4) (PDF)

Issue editor: Deborah L. Huntley, Archaeology Southwest

Salado is, at the very least, a complicated pattern of material culture that has intrigued and vexed archaeologists for decades—most researchers would agree on that. Ideas about what Salado means, however, vary greatly. This issue presents findings of Archaeology Southwest’s investigations in southwestern New Mexico, which are part of a long-term quest to understand the meaning of Salado.

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Description

Mule Creek Obsidian in the Time of Salado — Robert M. Jones, University of Arizona and Archaeology Southwest

Maverick Mountain Series and Salado Polychrome Origins — Patrick D. Lyons, Arizona State Museum and Archaeology Southwest

Pottery, Heritage, and Archaeology in the Greater Upper Gila Region, 1200–1450 — Deborah L. Huntley, Archaeology Southwest

Geologic Diversity and Ceramic Provenance in the Greater Upper Gila Region — Deborah L. Huntley, Archaeology Southwest, and Mary F. Ownby, Desert Archaeology, Inc.

Salado Polychrome Style and Iconography — Deborah L. Huntley, Archaeology Southwest, and Patrick D. Lyons, Arizona State Museum and Archaeology Southwest

Perceiving the Pattern: Some Answers and New Directions — Jeffery J. Clark and Deborah L. Huntley, Archaeology Southwest

Long-term Protection of the Places of the Past: Priority Cultural Resource Assessments and the Salado Preservation Initiative — Andy Laurenzi, Archaeology Southwest

Back Sight — William H. Doelle, Archaeology Southwest